Bach Bibliography
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Author : Yearsley, David
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Yearsley, DavidSex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks. Chicago and London: The University of Chicago Press, 2019. 336p. (= New Material Histories of Music) 2019 336p
2. Yearsley, DavidBach's Feet: the Organ Pedals in European Culture. Cambridge University Press, 2011. xiv, 298p. ISBN:9780521199018. (= Musical Performance and Reception) - Paperback edn. 2017. 2011 xiv, 298p
3. Yearsley, DavidBach and the Meanings of Counterpoint. Cambridge UP, 2002. xvi, 257p. ISBN: 0-521-80346-2. - repr. 2010. ISBN: 978-0-521-09099-5. 2002 xvi, 257p
4. Yearsley, DavidDeath Everyday: The Anna Magdalena Bach Book of 1725 and the Art of Dying. 18cM 2 2 Sep 2005 231-249
5. Yearsley, DavidPoets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach. 18cM 7 2 Sep 2010 326-329
6. Yearsley, DavidExorcising Completeness in the Pedal Exercitium. AmerOrganist(2) 46 10 Oct 2012 62-69
7. Yearsley, David'What's in a Name?' David Yearsley on Writing About the Musical Lives of Anna Magdalena Bach. BachNotesABS 26 Spring 2017 1-3
8. Yearsley, DavidThe concerto in northern Europe to c.1770. [BWV 1046-1051] [ce]CambridgeCompanion_Concerto 2005 53-69
9. Yearsley, DavidThe organ music of J. S. Bach. [ce]CambridgeCompanion_Organ 1998 236-249
10. Yearsley, DavidC. P. E. Bach and the living traditions of learned counterpoint. [ce]CPEBachStud 2006 173-201
11. Yearsley, DavidKeyboard Music. [Chapter 12] Part IV: Genres and Forms. [main headings: Hierarchies; Source Studies; Influences and Contemporaries; Hermeneutics; The Toccata and Fugue in D Minor] [ce]RoutledgeResearchCompanion 2017 295-316
12. Richards, Annette; Yearsley, David (eds.)Organ Works / Carl Philipp Emanuel Bach. Edited by Annette Richards and David Yearsley. - Los Altos, CA: Packard Humanities Institute, 2008. xxvi, 123p (Critical report pp. 91-119). ISBN: 978-1-933280-33-2. (= Carl Philipp Emanuel Bach: The Complete Works. Series I: Keyboard music, Volume 9) [Sonata in g minor, Wq 70/6. Sonata in D major, Wq 70/5. Sonata in F major, Wq 70/3. Sonata in a minor, Wq 70/4. Sonata in B-flat major, Wq 70/2. Prelude in D major, Wq 70/7. Fantasia and fugue in c minor, Wq 119/7. Fugue in d minor, Wq 119/2. Fugue in F major, Wq 119/3. Fugue in A major, Wq 119/4. Fugue in g minor, Wq 119/5. Fugue in E-flat major, Wq 119/6. O Gott, du frommer Gott, H 336/1. Ich bin ja, Herr, in deiner Macht, H 336/2. Jesus, meine Zuversicht, H 336/3. Wer nur den lieben Gott läßt walten, H 336/4. Komm, heiliger Geist, Herre Gott, H 336/5. Chorale prelude on "Aus der Tiefen rufe ich", BWV 745. Chorale prelude on "Ich ruf zu dir, Herr Jesu Christ", BWV Anh. II 73. Adagio in d minor, [Wq n.v.66] H 352. Appendix: Pedal Exercitium, BWV 598] [BWV 745, Anh. II 73; Wq 70/2-7 (H 134, 84, 85, 86, 87, 107), Wq 119/2-7 (H 99, 100, 101, 101.5, 102, 75.5), H 336/1-5, H 352; BWV 598 (Anh. II)] CPEBachCW 1 9 2008 xxvi, 123p
13. Yearsley, David GaynorIdeologies of learned counterpoint in the northern German Baroque. PhD diss. Stanford University, 1994. 376p. UMI No. DA9516942. [BWV 668, 769] diss. 1994 376p
14. Yearsley, DavidIn Buxtehude's footsteps. EarlyM 35 3 Aug 2007 339-353
15. Yearsley, DavidWomen at the organ: a fragment. [BWV 573] [fs]Williams70 2007 119-141
16. Yearsley, DavidAlchemy and Counterpoint in an Age of Reason JAMSoc 51 2 Summer 1998 201-243
17. Yearsley, David; Marshall, KimberlyInterlude: Recollecting the Westfield Center Bach Organ Tour of 1989. KeyboardPerspectives 10 2017 113-118
18. Yearsley, David (ed.)Princes of War and Peace and their Most Humble, Most Obedient Court Composer. http://konturen.uoregon.edu/vol1_Yearsley.html Konturen(Oregon) 1 2009 1-33
19. Yearsley, DavidTowards an Allegorical Interpretation of Buxtehude's Funerary Counterpoints. MLetters 80 2 May 1999 183-206
20. Yearsley, DavidBernhard the German and the invention of the pedals. OrganYb 39 2010 7-25
21. Yearsley, DavidWhat is a Sängerin? A paper read at conference 'Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach' held at Yale Institute of Sacred Music, USA, on October 16-18, 2009. [p]Women_Yale Oct 2009
22. Yearsley, DavidHoopskirts, coffee, and the changing musical prospects of the Bach women. WomenM 17 2013 27-58

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